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Mae ffynonellau elastigirl yn weithredol i achub y dydd, tra bod Mr Incredible yn wynebu’r her fwyaf eto – gan ofalu am broblemau ei dri phlentyn.

Gwesty Transylvania 3: Gwyliau’r Haf, ymunwch â’n hoff deulu anghenfil wrth iddynt fynd ar wyliau ar long mordeithio anghenfil moethus, felly gall Drac gymryd gwyliau’r haf rhag darparu

Dames Eileen Atkins, Judi Dench, Joan Plowright and Maggie Smith have let the cameras in on a friendship that goes back more than half a century. The four acting greats discuss their careers and reminisce

Moll is 27 and still living at home, stifled by the small island community around her and too beholden to her family to break away. When she meets Pascal, a free-spirited stranger, a whole new world opens

Parvana is an 11-year-old girl growing up under the Taliban in Afghanistan in 2001. When her father is wrongfully arrested, Parvana cuts off her hair and dresses like a boy in order to support her family.

Katja’s (Diane Kruger) had met Turkish-born Kurdish Nuri Sekerci (Numan Acar) when she bought hashish from him during her student days. They got married when he was still in prison, although their

A Prayer Before Dawn is the remarkable true story of Billy Moore, a young English boxer incarcerated in two of Thailand’s most notorious prisons. He is quickly thrown into a terrifying world of drugs

CALL ME BY YOUR NAME, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It’s the summer of 1983 in the north of Italy,

The Rider 2017 | 104mins | USA | Dir: Chloe Zhao After suffering a near fatal head injury, young South Dakota cowboy Brady (played by Brady Jandreau, a rodeo star on whose real-life story the narrative is

Agnes throws Atli out and does not want him to see their daughter Ása anymore. He moves in with his parents, who are involved in a bitter dispute over their big and beautiful tree that casts a shadow on

Paris, 1967. Jean-Luc Godard, the maker of “A bout de souffle”, “Le Mépris” and “Pierrot le fou”, idolized by critics and intellectuals, is shifting from

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